EXHIBITIONS | CREATIVITY | HISTORY | RESIDENCY
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EXHIBITION CHECKLIST
Nanette Carter
Cantilevered #61, 2021
Oil on Mylar
89 x 62 in.
Courtesy Berry Campbell, NY
Nanette Carter
Voladizo #61,2021
Óleo sobre Mylar
89 x 62 in.
Cortesía de Berry Campbell, Nueva York
Nanette Carter
The Weight #32, 2020
Oil on Mylar
18 1/2 x 108 in.
Courtesy Berry Campbell, NY
Nanette Carter
El Peso #32, 2020
Óleo sobre Mylar
18 1/2 x 108 in.
Cortesía de Berry Campbell, Nueva York
Nanette Carter
Slightly Off Keel #1, 1998
Oil on Mylar with woodcut
71 x 42 in.
Private Collection, Courtesy of N'Namdi Contemporary Miami
Nanette Carter
Ligeramente Inclinado #1, 1998
Óleo sobre Mylar con xilografía
71 x 42 in.
Colección privada, Cortesía of N'Namdi Contemporary Miami
Nanette Carter
Slightly Off Keel #14, 1998
Oil on Mylar and Canvas
57 x 17 1/2 in.
Courtesy Berry Campbell, New York
Nanette Carter
Ligeramente Inclinado #14, 1998
Óleo sobre Mylar y lienzo
57 x 17 1/2 in.
Cortesía de Berry Campbell, Nueva York
Gregory Coates
(Some) of My Friends Have Are Dead, 2019
Rubber Sheeting
92 x 96 in.
Mark Borghi, Sag Harbor
Gregory Coates
Algunos de mis amigos estan muertos 2019
Láminas de goma
92 x 96 in.
Mark Borghi, Sag Harbour
Gregory Coates
Catching and Throwing Shade (Live and Let Live), 2019
Lamp Shades
74 in. (height) 20 in. (diameter)
Courtesy of the Artist
Gregory Coates
Atrapar y Arrojar Sombra (Vive y Deja Vivir), 2019
Pantallas de lámpara
74 in. x 20 in.
Cortesía del artista
Gregory Coates
Iona Deep Blue, 1999
Rubber Inner tube over wood shipping pallette, acrylic and pigment
48 x 143 in.
Courtesy of the Artist
Gregory Coates
Iona Azul Profundo, 1999
Tubo interior de goma sobre paleta de envío de madera, acrílico y pigmento
48 x 143 in.
Cortesía del artista
Gregory Coates
Shiroco, 1998
Oil, Masking tape on wood
19 x 18 in.
Courtesy of the Artist
Gregory Coates
Shiroco, 1998
Óleo, cinta de carrocero sobre madera
19 x 18 in.
Cortesía del artista
Al Loving
Whyther AVE, 1992
Acrylic on paper, backed with Plexus
28 x 30 in.
Christine Nienaber (Owner).
Al Loving
Porquéel AVE, 1992
Acrílico sobre papel, respaldado con Plexus
28 x 30 in.
Christiane Nienaber (propietaria)
Al Loving
Untitled, 1982
Mixed media on canvas
60 1/4 x 48 in.
Courtesy the Estate of the Artist and Garth Greenan Gallery, New York
Al Loving
Sin título, 1982
Técnica mixta sobre lienzo
60 1/4 x 48 in.
Cortesía del patrimonio del artista y Garth Greenan Gallery, Nueva York
Al Loving
Untitled, 1982
Mixed media on canvas
60 1/4 x 48 in.
Courtesy the Estate of the Artist and Garth Greenan Gallery, New York
Al Loving
Sin título, 1982
Técnica mixta sobre lienzo
60 1/4 x 48 in.
Cortesía del patrimonio del artista y Garth Greenan Gallery, Nueva York
Al Loving
Floyd Street #7, 1986
Mixed media on panel
21 3/4 x 30 1/2 in.
Courtesy the Estate of the Artist and Garth Greenan Gallery, New York
Al Loving
Calle Floyd #7, 1986
Técnica mixta sobre tabla
21 3/4 x 30 1/2 in.
Cortesía del patrimonio del artista y Garth Greenan Gallery, Nueva York
Frank Wimberley
Untitled Composition, 1996
Acrylic on Canvas
54 x 56 in.
Courtesy Berry Campbell, New York
Frank Wimberley
Composición sin título, 1996
Acrílico sobre lienzo
54 x 56 in.
Cortesía de Berry Campbell, Nueva York
Frank Wimberley
Mud Spirit, 1997
Acrylic and collage on canvas
46 x 46 in.
Courtesy Berry Campbell, New York
Frank Wimberley
Espíritu de Barro, 1997
Acrílico y collage sobre tela
46 x 46 in.
Cortesía de Berry Campbell, Nueva York
Frank Wimberley
Ribbon Sketch, 2011
Acrylic on canvas
50 x 50 in.
Courtesy Berry Campbell, New York
Frank Wimberley
Boceto de Cinta, 2011
Acrílico sobre lienzo
50 x 50 in.
Cortesía de Berry Campbell, Nueva York
Frank Wimberley
Slight Disturbance, 2018
Acrylic on canvas
36 x 36 in.
Courtesy Berry Campbell, New York
Frank Wimberley
Alteración Leve, 2018
Acrílico sobre lienzo
36 x 36 in.
Cortesía de Berry Campbell, Nueva York
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